At a time when young people are certainly not known for their good manners, rather they are witnesses or not, small and large acts of violence quatidiana, this film seems to ride the wave of a company misleading and a childhood without color. As usual, the northern European cinema does not disappoint in photography, portraits and images of beauty ... the weight of history and the original way of telling perhaps left something to be desired, at least to those who waited great film critics who had predicted. it is not a bad film, but left me in the mouth as well as a disappointing end as an episode of "Blue Night", a mixture of flavors already heard. the voiceover narration that runs through places almost no time and no space, cold and aseptic as human relationships of the characters, reminded me of the most famous village of Von Trier: Dogville! the fear of a neighbor of the family for good, having children grow. the fear that what we seem to know it is not that much. to trust seems to have become the greatest fear of modernity! and that's where the fear creates violence!
the symbolism of the white to accompany the trend consistently politically correct / incorrect characters Actually, it reminded me of the good old Funny Games instead.
two beautiful original split of companies taken to quote ... but with a little more, I guess.
the new element is education and not just coincidence that the protagonist is the teacher, who inspires, however, moves in history as a minor figure compared to the parent-child relationship and the gestures of anger and pain that cause with each other. the point is: do not just put a white tape on the heads of our children, hoping that someone else educates them in the name of the values \u200b\u200bthat we do not know him.
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